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Objects of Affection

Objects of Affection is a curated collection of short essay films, poetry, and photography that I made during my time in Baltimore, Maryland. This collection captures 4 years (2018-2022) of artistic and personal growth from an intimate and romantic lens. The unique beauties of Baltimore is separated into 3 parts: Losing, Loving, and Learning.  

Part I: Losing

Relapse (2019)

Written, Directed, and Edited by: Amanda Pak
Starring: Isabelle Koh

A short personal essay film about relapsing. Inspired by Maya Deren's Meshes of the Afternoon (1943).

(TW: language about addiction, depression, drug use)

Original poem dedicated to my forever fashion icon.

"Barbara Konyaeva"

Being is all i could be Today,

All that i could muster, all that I

Remember doing today. do you miss

Being, existing, breathing with me? do you

As much as i miss you? sometimes it’s a

Random memory that makes me a lot

Angrier. angry that i have more poems about you than things. i want More

 

Keepsakes. but we didn’t hold onto things. it was more than

Opening a world between our words, but building an escape with each other

Now our world stands still, nothing new built, no new days.

Yet i’m trying anxiously now, More

Anxious and more devastated than

Every moment i mourn, because now I

View our paradise on the outside. but even if i can’t see you, I can

Always close my eyes and feel.

 

BARBARA KONYAEVA,

Today I miss you so much.

More than other days.

More than I can feel.

2020

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Still from Where Are You short film.

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Still from Relapse 

Part II: Loving

Hands that learn to hold. 16mm stills from short film. 

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The Frames We Create (2020)

Written, Directed and Edited by:

Amanda Pak

A personal essay film on the moments we choose to remember. Shot on 16mm.

Starring:
David Hilden
Isabelle Koh
Madison Langrin
Valeria Villanueva

"stand by your man"

inspiration from Crispin Best's "don't call it a dream"

there’s something about this goodbye that i

can’t seem to forget, it let

me remember the summer

how he would take

my hand, or throw me over

his shoulder, to watch the

dusk paint the walls of his house.

 

yet he would turn off the lights before, for

my safety that he claimed forever, however

he made his presence strong and long

and made my silence complicit, and it

helped him succeed, and feed his masculine needs.

 

yet i still crawl into his sheets and

stare at the dark ceiling above me, asking what

is it about the sun to him, what is

so wrong with it?

at midnight I hold doubt about

his church background, or the

ice of his heart to thaw, while he clawed

his way into the opening

between my thighs, and without words, thought of

the opening of dawn.

and when the sun peaked, he tells me that

i love him, that his love makes

me a better me.

and that more than anything, he will always want

me, every part of me, to

the end of time, or until he’ll call

me a stranger. And though I can’t admit it,

in his arms, I still hold onto that.

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Part III: Learning

Staying In (2021)

Directed, Starring, Edited by: 
Amanda Pak

A short experimental film depicting the emotional warfare of coming out. 

Shot on film. February 2021.

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Original poem "Us, You and Me" published in NOON Magazine (2020).
Accompanying art by: Evelyn Shiang and Mary Song

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